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Ballroom dance is a set of partner dances, which are enjoyed both socially and competitively around the world. Because of its performance and entertainment. Learn to dance salsa in Vancouver with master salsa dance instructor and world champion Diego Sanchez, or try Latin dance lessons, bachata, tango and more.

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Ballroom dance is a set of partner dances, which are enjoyed both socially and competitively around the world. Because of its performance and entertainment aspects, ballroom dance is also widely enjoyed on stage, film, and television. Ballroom dance may refer, at its widest definition, to almost any type of partner dancing as recreation. However, with the emergence of dancesport in modern times, the term has become narrower in scope, and traditionally refers to the five International Standard and five International Latin style dances (see dance categories below). The two styles, while differing in technique, rhythm and costumes, exemplify core elements of ballroom dancing such as control and cohesiveness. Developed in England.

In the United States, two additional variations are popular: American Smooth and American Rhythm, which combine elements of the Standard and Latin styles with influences from other dance traditions. There are also a number of historical dances, and local or national dances, which may be danced in ballrooms or salons. Sequence dancing, in pairs or other formations, is still a popular style of ballroom dance. In times past, ballroom dancing was social dancing for the privileged, leaving folk dancing for the lower classes. These boundaries have become blurred. The definition of ballroom dance also depends on the era: balls have featured popular dances of the day such as the Minuet, Quadrille, Polonaise, Polka, Mazurka, and others, which are now considered to be historical dances. Early Modern Age.

Among the dances described were the solemn basse danse, the livelier branle, pavane, and the galliarde which Shakespeare called the . Eventually, the first definite cleavage between ballet and ballroom came when professional dancers appeared in the ballets, and the ballets left the Court and went to the stage. Ballet technique such as the turned out positions of the feet, however, lingered for over two centuries and past the end of the Victoria era. The dance was initially met with tremendous opposition due to the semblance of impropriety associated with the closed hold, though the stance gradually softened.

In the meantime a strong tendency emerged to drop all 'decorative' steps such as entrechats and ronds de jambes that had found a place in the Quadrilles and other dances. Early 2. 0th century. The first was a movement away from the sequence dances towards dances where the couples moved independently. This had been pre- figured by the waltz, which had already made this transition. The second was a wave of popular music, such as jazz, much of which was based on the ideas of black musicians in the USA.

Since dance is to a large extent tied to music, this led to a burst of newly invented dances. There were many dance crazes in the period 1. The third event was a concerted effort to transform some of the dance crazes into dances which could be taught to a wider dance public in the US and Europe. Here Vernon and Irene Castle were important, and so was a generation of English dancers in the 1. Josephine Bradley and Victor Silvester.

These professionals analysed, codified, published and taught a number of standard dances. It was essential, if popular dance was to flourish, for dancers to have some basic movements they could confidently perform with any partner they might meet. Here the huge Arthur Murray organisation in America, and the dance societies in England, such as the Imperial Society of Teachers of Dancing, were highly influential. Finally, much of this happened during and after a period of World War, and the effect of such a conflict in dissolving older social customs was considerable. Although both actors had separate careers, their filmed dance sequences together, which included portrayals of the Castles, have reached iconic status. Most competitions are divided into professional and amateur, though in the USA pro- am competitions typically accompany professional competitions. However, it seems doubtful that dance will be included in the Olympic Games, especially in light of efforts to reduce the number of participating sports.

There are about 3. There are another 2. WDC and/or the WDSF, but whose dancers rarely appear in international competitions. In the United States, the member branches of the WDC (National Dance Council of America) and the WDSF (USA Dance) both grant national and regional championship titles. Australian New Vogue is danced both competitively and socially.

In competition there are 1. New Vogue dances, which are performed by the competitors in sequence. These dance forms are not recognised internationally, neither are the US variations such as American Smooth, and Rhythm. Such variations in dance and competition methods are attempts to meets perceived needs in the local market- place.

Internationally, the Blackpool Dance Festival, hosted annually at Blackpool, England, is considered the most prestigious event a dancesport competitor can attend. Formation dance is another style of competitive dance recognised by the IDSF. In this style, multiple dancers (usually in couples and typically up to 1. Elements of competition.

A judge stands in the foreground. In competitive ballroom, dancers are judged by diverse criteria such as poise, the hold or frame, posture, musicality and expression, timing, body alignment and shape, floor craft, foot and leg action, and presentation. Judging in a performance- oriented sport is inevitably subjective in nature, and controversy and complaints by competitors over judging placements are not uncommon.

The scorekeepers—called scrutineers—will tally the total number recalls accumulated by each couple through each round until the finals, when the Skating system is used to place each couple by ordinals, typically 1–6, though the number of couples in the final may vary. Sometimes, up to 8 couples may be present on the floor during the finals. Competitors dance at different levels based on their ability and experience. The levels are split into two categories, syllabus and open. The syllabus levels are newcomer/pre- bronze, bronze, silver, and gold—with gold the highest syllabus level and newcomer the lowest. In these levels, moves are restricted to those written in syllabus, and illegal moves can lead to disqualification. Each level, bronze, silver, and gold, has different moves on their syllabus, increasing in difficulty.

There are three levels in the open category; novice, pre- champ, and champ in increasing order of skill. The Reaping. At those levels, dancers no longer have restrictions on their moves, so complex routines are more common. Medal evaluations.

In medal evaluations, which are run by bodies such as the Imperial Society of Teachers of Dancing (ISTD) and the United Kingdom Alliance (UKA), each dancer performs two or more dances in a certain genre in front of a judge. Genres such as Modern Ballroom or Latin are the most popular. Societies such as the ISTD and UKA also offer medal tests on other dance styles (such as Country & Western, Rock 'n Roll or Tap). In some North American examinations, levels include Newcomer, Bronze, Silver, Gold, Novice, Pre- championship, and Championship; each level may be further subdivided into either two or four separate sections. Collegiate Ballroom. These chapters are typically clubs or teams that have an interest in ballroom dancing.

Teams hold fundraisers, social events, and ballroom dance lessons. Ballroom dance team’s goals are to have fun and learn to dance well. There is a strong focus on finding a compatible dance partner and bonding with teammates. There is also a competitive side to collegiate ballroom - collegiate teams often hold competitions and invite other teams to participate. Examples include the MIT Open Ballroom Dance Competition and the Harvard Invitational. The couple, dancing for the USA, came third in the Professional World Championship 2.

The dance technique used for both International and American styles is similar, but International Ballroom allows only closed dance positions, whereas American Smooth allows closed, open and separated dance movements. In addition, different sets of dance figures are usually taught for the two styles. International Latin and American Rhythm have different styling, and have different dance figures in their respective syllabi.

Other dances sometimes placed under the umbrella . The categorization of dances as .

There are other dances historically accepted as ballroom dances, and are revived via the Vintage dance movement. In Europe, Latin Swing dances include Argentine Tango, Mambo, Lindy Hop, Swing Boogie (sometimes also known as Nostalgic Boogie), and Disco Fox.

One example of this is the subcategory of Cajun dances that originated in Acadiana, with branches reaching both coasts of the United States. Ballroom/Smooth dances are normally danced to Western music (often from the mid- twentieth century), and couples dance counter- clockwise around a rectangular floor following the line of dance. In competitions, competitors are costumed as would be appropriate for a white tie affair, with full gowns for the ladies and bow tie and tail coats for the men; though in American Smooth it is now conventional for the men to abandon the tailsuit in favor of shorter tuxedos, vests, and other creative outfits. Latin/Rhythm dances are commonly danced to contemporary Latin American music and (in case of Jive) Western music.

With the exception of a few traveling dances like Samba and Paso Doble, couples do not follow the line of dance but perform their routines more or less in one spot. In competitions, the women are often dressed in short- skirted latin outfits while the men are outfitted in tight- fitting shirts and pants, the goal being to emphasize the dancers' leg action and body movements. Competitive Dances. Lemon Eyes. In the early 1. 80. England. It was the first dance where a man held a woman close to his body.